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Jean Vanmai's Chân Đăng The Tonkinese of Caledonia in the colonial era is a rare insider's account of the life experiences of Chân Đăng, the Vietnamese indentured workers who were brought from Tonkin to work in the New Caledonian nickel mines in the 1930s and 1940s, when both Indochina and New Caledonia were French colonies. Narrated from the unique perspective of a descendant of Chân Đăng, the novel offers a deep understanding of how Vietnamese migration, shaped by French colonialism and the indenture system, led to the implantation of the Vietnamese community in New Caledonia, in spite of the massive repatriation of the workers and their families to Vietnam in the 1960s. Through his writing which blends his own family story with the rich oral testimonies of his compatriots, Jean Vanmai, a passionate advocate for the recognition of the part played by the Chân Đăng in the New Caledonian national history, has succeeded in giving these often faceless and powerless 'coolies' a strong collective voice. The translation into English of that voice was long overdue. Only accessible until now to French speakers, this English version opens up the exceptional account of the personal and emotional complexities of the Chân Đăng's experience to a global readership. The English version not only advances knowledge of the history of indentured labour and colonialism in the Asia-Pacific, thus offering Anglophone historians and interested readers a new understanding of the processes through which histories and memories travel and translate across national, oceanic, and linguistic borders, it also constitutes an invaluable historical resource for Anglophone Vietnamese diasporic communities. One of the significant revisions in this English version is the restitution of the diacritical marks to all the Vietnamese names in the novel. Rather than a simple correction of the printing of Vietnamese diacritics which was unavailable at the time of publication of the origin text, it lends greater authenticity to the story for the Anglophone reader and symbolically restores their full identity to the Chân Đăng protagonists, who had become mere matriculation numbers under the colonial indenture system. The critical introduction by Tess Do and Kathryn Lay-Chenchabi is a richly documented text that contextualises the novel for the Anglophone reader. The photographs and official documents, carefully selected from a wealth of sources, including the National Archives of both New Caledonia and New Zealand, the private community collections and Jean Vanmai's family photo albums, all contribute to an illuminating and informative visual overview of the Chân Đăng's working and living conditions in New Caledonia. This emotive illustration of the past also functions as an important reference for the common future shared by all Caledonians, in that it conveys to the reader the long-lasting imprint left by the Vietnamese community on New Caledonia's economic and cultural scene since the Chân Đăng first migrated to this country more than two centuries ago.
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Long description: Der vorliegende Band versammelt einige der interessantesten Beiträge aus der Sektion Koloniale und postkoloniale deutschsprachige Literatur des XII. Kongresses der Internationalen Vereinigung für Germanistik (IVG), der im Sommer 2010 unter dem Titel „Vielheit und Einheit der Germanistik weltweit“ in Warschau stattgefunden hat. Die Auswahl der Texte illustriert die Bandbreite dessen, was innerhalb des Methoden- und Theoriefelds der postkolonialen Studien und der Interkulturellen Germanistik die germanistische Forschung bestimmt.
German literature --- Colonies in literature --- History and criticism
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First Published in 2001
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The past century has witnessed the extraordinary flowering of fiction, poetry and drama from countries previously colonised by Britain, an output which has changed the map of English literature. This introduction, from a leading figure in the field, explores a wide range of Anglophone post-colonial writing from Africa, Australia, the Caribbean, India, Ireland and Britain. Lyn Innes compares the ways in which authors shape communal identities and interrogate the values and representations of peoples in newly independent nations. Placing its emphasis on literary rather than theoretical texts, this book offers detailed discussion of many internationally renowned authors, including James Joyce, Chinua Achebe, Salman Rushdie, Les Murray and Derek Walcott. It also includes historical surveys of the main countries discussed, a glossary, and biographical notes on major authors. Lyn Innes provides a rich and subtle guide to a vast array of authors and texts from a wide range of sites.
English literature --- Sociolinguistics --- Colonisation. Decolonisation --- Thematology --- Sociology of literature --- Commonwealth literature (English) --- Postcolonialism in literature --- Colonies in literature --- History and criticism --- Postcolonialism in literature. --- Colonies in literature. --- History and criticism. --- Arts and Humanities --- Literature --- Postcolonialisme --- Colonies --- Dans la littérature
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British Imperial Fiction, 1870-1940 traces the gradual process by which the colonial bureaucratic subject was constructed in nineteenth- and early twentieth-century Britain. Daniel Bivona's study offers insightful readings of a number of influential writers who were involved in promoting the ideology of bureaucratic self-sacrifice, the most important of whom are Stanley, Kipling and T. E. Lawrence. He examines how this governing ideology is treated in the novels of Joseph Conrad, Joyce Cary and George Orwell. By placing the complexities of individual texts in a much larger historical context, this study makes the original claim that the colonial bureaucrat played an ambiguous but nonetheless central role in both pro-imperial and anti-imperial discourse, his own power relationship with bureaucratic superiors shaping the terms in which the proper relationship between colonizer and colonized was debated.
English literature --- Imperialism in literature. --- Colonies in literature. --- History and criticism. --- Great Britain --- Colonies --- Administration --- History --- Colonies in literature --- Imperialism in literature --- History and criticism --- Arts and Humanities --- Literature
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Diseases --- Romanticism --- Diseases in literature. --- Colonies in literature. --- Medicine --- Health Workforce --- Human beings --- Illness --- Illnesses --- Morbidity --- Sickness --- Sicknesses --- Epidemiology --- Health --- Pathology --- Sick --- Colonies --- History. --- History --- Great Britain --- Colonies in literature --- 18th century --- 19th century
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In Indian Angles, Mary Ellis Gibson provides a new historical approach to Indian English literature. Gibson shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and that poetry written in colonial situations can tell us as much or even more about figuration, multilingual literacies, and histories of nationalism than novels can. Gibson recreates the historical webs of affiliation and resistance that were experienced by writers in colonial India-writers of British, Indian, and mixed ethnicities. Advancing new theoretical and historical paradig
Colonies in literature. --- Indic poetry (English) --- Anglo-Indian poetry --- English poetry --- Anglo-Indian literature --- History and criticism. --- India --- In literature.
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Treating the Renaissance as also the period that saw the birth of European colonialism, this book focuses on the interplay between the discovery of new lands and the re-discovery of old texts.
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"This is the first full-length study of emerging Anglo-American science fiction's relation to the history, discourses, and ideologies of colonialism and imperialism. Nearly all scholars and critics of early science fiction acknowledge that colonialism is an important and relevant part of its historical context, and recent scholarship has emphasized imperialism's impact on late Victorian Gothic and adventure fiction and on Anglo-American popular and literary culture in general. John Rieder argues that colonial history and ideology are crucial components of science fiction's displaced references to history and its engagement in ideological production. He proposes that the profound ambivalence that pervades colonial accounts of the exotic "other" establishes the basic texture of much science fiction, in particular its vacillation between fantasies of discovery and visions of disaster. Combining original scholarship and theoretical sophistication with a clearly written presentation suitable for students as well as professional scholars, this study offers new and innovative readings of both acknowledged classics and rediscovered gems. Includes discussion of works by Edwin A. Abbott, Edward Bellamy, Edgar Rice Burroughs, John W. Campbell, George Tomkyns Chesney, Arthur Conan Doyle, H. Rider Haggard, Edmond Hamilton, W.H. Hudson, Richard Jefferies, Henry Kuttner, Alun Llewellyn, Jack London, A. Merritt, Catherine L. Moore, William Morris, Garrett P. Serviss, Mary Shelley, Olaf Stapledon, and H.G. Wells."
Colonies in literature. --- Imperialism in literature. --- Literature and science --- English fiction --- American fiction --- Science fiction, American --- History and criticism.
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